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| Modern Furniture |
Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Compared to more ornate design, modern furniture is far more simple and streamlined.
Before the modernist design movement there was an emphasis on furniture as ornaments, the length of time a piece took to create was often a measure of its value and desirability. During the first half of the 20th Century a new philosophy emerged shifting the emphasis to function and accessibility. Western design generally, whether architectural or design of furniture had for millennia sought to convey an idea of lineage, a connection with tradition and history. The modern furniture from the modern movement sought newness, originality, technical innovation, and ultimately the message that it conveyed spoke of the present and the future, rather than of what had gone before it.
Modernist design seems to have evolved out of a combination of influences: Technically innovative materials and manufacturing methods, the new philosophies that emerged from the Werkbund and the Bauhaus School, from exotic foreign influences, from Art Nouveau and from the tremendous creativity of the artists and designers of that era.
The use of new materials, such as steel in its many forms; molded plywood, such as that used by Charles and Ray Eames; and of course plastics, were formative in the creation of these new designs. They would have been considered pioneering, even shocking in contrast to what came before. This interest in new and innovative materials and methods - produced a certain blending of the disciplines of technology and art. And this became a working philosophy among the members of the Deutscher Werkbund. The Werkbund was a government sponsored organization to promote German art and design around the world. Many of those involved with it including Mies van Der Rohe, Lilly Reich and others, were later involved in the Bauhaus School, and so it is not surprising perhaps that the Bauhaus School took on the mantle of this philosophy. They evolved a particular interest in using these new materials in such a way that they might be mass produced and therefore make good design more accessible to the masses.
Obviously not all furniture produced since this time is modern, for there is still a tremendous amount of traditional design being reproduced for today's market and then of course there is also an entire breed of design which sits between the two, and is referred to as transitional design. Neither entirely modern or traditional, it seeks to blend elements of multiple styles. It often includes both modern and traditional as well as making visual reference to classical Greek form and / or other non western styles (for example: Tribal African pattern, Asian scroll work etc).
Today contemporary furniture designers and manufacturers continue to evolve design. Still seeking new materials, with which to produce unique forms, still employing simplicity and lightness of form, in preference to heavy ornament. And most of all they are still endeavoring to step beyond what has gone before to create entirely new visual experiences for us.
The designs that prompted this paradigm shift were produced in the middle of the 20th century, most of them well before 1960. And yet they are still regarded internationally as symbols of the modern age, the present and perhaps even the future. Modern Classic Furniture became an icon of elegance and sophistication.